Wednesday, December 12, 2018
'Comparing and contrasting two characters from The Handmaids Tale\r'
'Sexual slavery and feminism ar two of the main themes in Atwoodââ¬â¢s dystopian book The Handmaidââ¬â¢s Tale (1986), in which she portrays a smart set cal take Gilead in which wo hands argon strip of their civil liberties. In Atwoodââ¬â¢s dystopian society most women have become infertile and the fewer ones who grass still bear children are sour into handmaids, i. e. sexual servants who are brainwashed for the mere occasion of breeding healthy children for the elite. This novel is an account of Offredââ¬â¢s musings and her fragmented perception of reality.\r\nIt is Offred who introduces two different personalitys: intractable Moira and submissive Janine. Although these characters employ different strategies to either break loose or mollify respectively, they end up be subdued by Gileadââ¬â¢s regime, metaphoric bothy losing see to it over their take in body. I will delineate both charactersââ¬â¢ personalities, their oppression to Gilead and the loss of connection with their knowledge bodies. Moira is a ill-affected lesbian who is admired by the Handmaids, tho as the story unfolds, she subdues to Gilead.\r\nMoiraââ¬â¢s jumpy behavior is displayed by her actions and speech, which is highly colloquial, as when she states, ââ¬Å"Iââ¬â¢m borrowing five bucks off you, approve? ââ¬Â (Atwood, THT, p. 32) and when she refers to the Red Center[1] as a ââ¬Å"Loony put inââ¬Â (THT, p. 61). She constantly defies the Gilead system and even tries to track down twice succeeding on her second attempt and as a result of this Moira never becomes a worthy handmaid. Even when Moira has disappeared from the scene, she makes a dramatic impact on the Handmaids, who admire her: ââ¬Å"Moira was our fantasy (ââ¬Â¦) she was with us in secret, a giggleââ¬Â (THT p. 17). But her power over Offred seems to terminate when Moira appears in scene at Jezebelââ¬â¢s, a purpose in which improper Handmaids such as Moira are forced i nto prostitution: ââ¬Å"I am floor by them (the women in Jezebelââ¬â¢s) I recognize them as truant. The official creed denies them, denies their very existence, yet they are hereââ¬Â (THT p. 213).\r\nThere, Moira permits herself be used by men once and again in order to accommodate to this new reality, even minimizing the gravity of the situation: ââ¬Å"itââ¬â¢s not so bad, thereââ¬â¢s lashings of women around. Butch paradise, you might call itââ¬Â (THT p. 28). Thus, her once rebellious identity fades as she loses control of her body. In this way, it can be deduced that even the most rebellious temperament subdues to Gilead. Un identical Moira, Janine is seen as a straight-laced, submissive character who is constantly trying to accommodate to Gilead, but in the end, she gets subdued as well. Her submissive behaviour is understandably displayed when, at the Red Center, she blames herself for having been gang-raped in the pre-Gilead society, as a strategy for acc ommodation: ââ¬Å"It was my fault, she says. It was my own fault.\r\nI led them on. I deserved the painââ¬Â (THT p. 62). Soon, the aunts consider Janine an ââ¬Å" casingââ¬Â (THT p. 62) for the rest of the Handmaids. But whereas Moira is admired for her courage, Janine is depicted by the handmaids in a derogatory sense, calling her a ââ¬Å"whiny bitchââ¬Â (THT p. 98), and even ââ¬Å"suckyââ¬Â (THT p. 98). Their hatred for Janine grows when she becomes a spy for the Aunts: ââ¬Å"We (the handmaids) avoided her when we could (ââ¬Â¦) She was a danger to usââ¬Â. exchangeable to Moira, Janine ends up working for Gilead, although Janine does it de jure.\r\nShe is able to bear a child for her Commanderââ¬â¢s wife, but shortly after the birth the baby dies: ââ¬Å"(The baby) was a shredded after all (ââ¬Â¦) My God, (ââ¬Â¦) to go through all that, for nothing. Worse than nothingââ¬Â (THT p. 192). As a result, Janine becomes batty as she cannot tolerate the loss: ââ¬Å"sheââ¬â¢s (Janine) let go, totally now, sheââ¬â¢s in free fall, sheââ¬â¢s in withdrawalââ¬Â (THT p. 252). But her insanity is likewise due to the loss of connection with her body she gets ââ¬Å"legallyââ¬Â raped, which comes as a revival of her pre-Gileadââ¬â¢s traumatic experience.\r\nFor her, losing the relationship with her body implies losing her idea as well. In conclusion, Janine had done everything to accommodate to this society: she pleased the Aunts, she became a spy, and she even bore a child; but she never accomplished her purpose of becoming authoritative and, as compared to Moira, she is subjugated to Gilead, metaphorically losing both mind and body. As I have already stated, Moira and Janine correspond both differences and similarities. The boldest differences between them are their personalities and their strategies to either escape or accommodate to Gilead.\r\nBut even these antithetical characters have a similar destiny: their su bjugation to the society and the metaphorical loss of connection with their own bodies. The implication that arises from this comparison is that were a society like this be established, women would not only be morally affected, but they would also lose their own identity. other line of research worth pursuing moreover is to study the effect that a society like this could have on todayââ¬â¢s world.\r\n'
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