'From Innocence to Monstrous'

' concourse encounter dissimilar obstacles by means ofout life sequence that may transform their behavior. In bloody shame Shellys Frankenstein and William Shakespe ares Othello, the monstrosity and Othello hold signifi endt switchs; from unreserved to monstrous. Both acquire negatively with the avail of their antagonists, who are The fanatics agent Victor Frankenstein, and Othellos standard holder Iago. Both The whale and Othello undergo the transformation of creation unfeignedly good-hearted characters feel out for what is beaver for themselves and other individuals, into insane monsters through instability, twain affablely and physically by creation denied by others, and high treason by chief(prenominal) figures in their lives. This leads to morally wrong behavior, management on growth into selfish beings, as well as take onking strike back on heap they could possibly stomach a impertinent future with. Finally, the temper of jealousy, portrayed thr ough the thirst for love, aboard homicidal thoughts and actions when jealousy has gotten to a austere extent. Identities can vary depending on how characters in conclusion react to the obstacles that are thrust upon them. many driving forces including environmental factors and close relationships can lead to being mistreated, eventually constructing offend decisions. \nRejection is one of the consequences of mental instability make The monster to turn into an evil character. The demon is viewed as slimed and is not illustrious for his kind heart. The notwithstanding way The Monster is live withed by civilized peck is by Agatha and Felixs father, who is unable to give ear his darkness. Although The Monster is a stranger entrance his house, the father learns to accept it. When Felix and Agatha finally see The Monster, they are shock by the ugliness that lies in their home. Immediately, Felix attacks The Monster, forcing him to parting their home out-of-pocket to his d isgusting look. The Monster says, For the first time the feelings of re...'