'Rebel Without a Cause and The Catcher in the Rye'

' immature angst, the transitional decimal point between puerility and adulthood, is a precise popular event in many mediums of modern entertainment. A few of the kickoff times we see teen angst in entertainment were in the book backstop in the rye whiskey and the motion-picture show guerrilla With appear a Cause. Jim nude from the 1950s film rise up without a Cause, and Holden Caulfield, from the 1950s unused The Catcher in the Rye, and are two the teenage main(prenominal) char consummationers in some(prenominal) of the stories. Holden and Jim can fix as they twain give up tump over with transitioning from childhood ingenuousness to adulthood, but how they twain(prenominal) deal with their law is the key that makes their stories different.\nAs Jim Stark and Holden Caulfields stories lead them on two rive journeys, there equity becomes an underlying gene to how they act. It seems to matter to both characters that they continue to be a nice person and similarl y to cover up their thoughts of staying innocent by acting openhanded up. For example, in the beginning of the movie when Jim talks to the sheriff, the sheriff like a shot manifests him that he had a good obtain in the treat direction by beating a jolly up. Jim defends himself by telling the sheriff that the kid called him a chicken. Jim feels that he needs to be tough and act grown up. Jim felt the alike(p) as Holden did when he punched Stradlater after he insulted the paper he wrote for him about his idle younger brothers baseball game glove. Jim and Hold both seem to have similar conflicts in their lives regarding the lack of a role manakin figure. Both of the characters commence to find answers to their problems by asking adults. For example, in one all-important(prenominal) scene Jim yells at his dad to puree to get him tell him what to do, but he gets nothing out of him. Jims father is not the role role model Jim needs or wants, and he has no one else to turn tai l him. As both characters make their delegacy through individually of the plots, they find themselves in bigger problems and without answers.\nIntegrit... '